Throwback Thursday

Feeling nostalgic…

My House

The above photo is of the house I grew up in, on Niagara Street in the Riverside neighborhood in Buffalo, NY. It was made just before the pandemic for my “Driving Home” project. It looks pretty much as it did in my youth, and although I’ve not lived there on over 40 years, memories of those years come flooding back every time I view it.

Standing on the front porch in my Sunday Easter best; pretending to be a fireman, saving the neighborhood with my best friend Johnny who lived 2 doors down (partially seen on the left); playing touch football in the street (partially seen on the right); looking out over the Niagara River and across to Canada from our attic windows (this is another story unto itself..). All these memories as vivid as if they had occurred yesterday.

Such is the power of photography.

While books and entire college courses have been created to explore that power, as I contemplate this image today, I think about the importance of not just creating the work, but of preserving it. It makes little sense to me to create work without some thought as to how one plans to keep it. Or. put another way: I’ve created this image, “now what?”

For me, the artifact has always been the thing. The print, the negative, if you can’t hold it, it ain’t real. 0’s and 1”s are just abstract concepts. You can’t see them, touch them, or feel them. They are only representations of something. Hence the only way to view a digital file is on a screen. And when the screen goes dark, the image is gone.

This is not an attempt to bash digital photography. I use digital capture devices practically every day. I love them. I bought a brand new iphone 13 not because I needed a better phone but because I wanted a better camera.

No, what I’m saying is, it’s not just enough to make the image capture. That’s only the first step. The most important step is to preserve it. After all, when we’re gone, that’s the only tangible part of our collective memory that will remain…

Throwback Thursday

Well. not too far back. In celebration of Polaroid Week I present some old and some new…

Throwback Thursday

Been working on a deep dive into the archives for another project that’s been percolating in the background for some time now. That’s what I like about having several projects going on at the same time, I can work on whatever my moody self feels like doing.

Of course, it might be nice to actually finish one, but I don’t worry about that either.

After all, it’s the journey, not the destination…

Until I decide what to share from that stuff, here’s a few instant souvenirs from last year.

Throwback Thursday

Henri Cartier-Bresson once said that your first 10,000 images were your worst.. Of course, this was during the film age and long before the digital age, so for mostly digital photographers, the math should look much different. In other words, the 10,000 images you made at the wedding you shot last week won’t make much of an improvement in the 10,000 you make at this weeks wedding. Just sayin’…

Nevertheless, there is, I think, something to love about the work we make very early in our careers. Long before we get bogged down in all the “rules”, we make work for the joy, for the fun, because it satisfies some innate need, and we can’t say no. (For me, the need was to get out of class, but that’s another story…)

The two contact sheets here are from some of the first rolls of film I shot with the first camera I ever owned. (A Yashica 35mm that I got as a kit with three lenses and a camera bag!)

Contact sheet 0001! made sometime early spring 1979

This first contact sheet is of the very first roll of film I ran through my new camera, images made while walking back and forth to school. Because I was working on my college yearbook at the time, I believe the missing strips are from frames that were shot for yearbook use. Like all the work I made in high school, those images are lost to time.

contact sheet 0006, made sometime in the spring of 1979

While there are certainly some technical issues and the framing for many of these is a little loose, there is no denying the joy that’s apparent in their creation. In those days I took my camera everywhere, photographing whatever I found interesting, and I was having a great time doing it.

And maybe at the root, that’s why in some ways, I like a lot of my early work better than some of the work that followed while I was learning the “rules”. This work seems freer to me, less formal, less constricted. Or maybe I’m so fond of my earlier work because I was so much younger when I made it. Who knows?

But looking back, it should come as no surprise that my client work as well as my personal work became much more satisfying for me as a creator, when I worried less about making work the “right way” or the way everyone else made their work, and just made work “my way”. And also no coincidence that right about the same time my career started to take off. Not everyone “got” what I was doing, but in the end it didn’t matter. What mattered was the people who did “get it”, loved it. Just as it should be.

Long time and sharp-eyed viewers of this blog may have noticed that the first contact sheet made an appearance on the September 19, 2019 post, and frame no. 24A from the second sheet was discussed in detail on July 25, 2019. Check them out!

Throwback Thursday

Through the years, photographers have often defined themselves by the gear they used. Early in my career, I’d often get questions like: “Where are the square pictures?”, “Do you use the ‘hass-lee-blad’?”, “Are you a ‘professional’ photographer?”

Ugh.

Advances in technology have made creating images more accessible and easier than ever. (I didn’t say “better” than ever…) Thus proving the dictum: “The best camera is the one you have with you”.

This group was made while on a trip to Savannah, GA a few years ago. I had a bag full of cameras but these were made with my iphone using the Hipstamatic and Snapseed apps.

Throwback Thursday...

Here is another favorite of mine, and not just because the Sabres won the game.

This image was made on April 14, 1996. I know this because I still have the ticket stub! The game was between the Buffalo Sabres and the Hartford Whalers and was the last game they would ever play in the old Buffalo Memorial Auditorium. Otherwise known as: “The Aud.”

Buffalo Sabres vs. Hartford Whalers April 14, 1996

The great thing about images like this are that they have the ability to immediately take you back to that moment in time. I can’t remember what I ate for breakfast this morning, or even if I did, but I look at this photo and can instantly remember everything about that night. Thinking about how many games I had attended with my dad. How excited we were when Buffalo finally got an NHL team. Listening to the games on my transistor radio while hiding under the covers in my bed, long after I should have been asleep.

Even going back to the days of the Buffalo Bisons, our AHL team. The Pepsi logo on the old jerseys. How dark and scary the old building seemed as young boy. Crushing soda cups to make them “pop”. The sound as it echoed throughout the building. I can still hear it today. And the pick up hockey games with other kids as we kicked the cups around in the hallways between periods. A large slice of my childhood, encapsulated in a single photograph. Such is the power of photography.

Prior to the game, I had called the department at city hall responsible for the maintenance of the building and politely inquired as to the possibility of having a bucket filled with Zamboni ice. After a long stunned silence, the man on the other end of the phone gave me the name of the person to ask for. So immediately after the game, I ran back to my car, returning with a five gallon pickle bucket. I made my way down to the basement where the Zamboni’s were parked and assuring the maintenance crew that I had the appropriate permissions, requested that I be able to fill my bucket with ice from the Zamboni.

Another long stunned silence ensued, this time accompanied by an incredulous stare. After several awkward moments, the older man in charge directed a younger man to fill my bucket for me. I wouldn’t be insured if there happened to be an accident, he explained. How nice that there was someone to do the work for him, I thought, as I watched my bucket being filled with ice. After a short time my bucket was filled, and thanking the crew profusely, i was on my way, delighted with my souvenir, their quizzical eyes following me as I exited the building.

Over time, all relationships evolve and change, and the ways we, as viewers or keepers of memories relate to images, are no different. While the memories come flooding back, how we respond to those memories will often change over time. What I could never have anticipated at the time this image was made, was how it would change for me.

The following season, the Hartford Whalers would move south to Raleigh, North Carolina and become the Carolina Hurricanes.

Several years later, although for far different reasons, I would follow.

Who knew?

For the technically minded, this image was made with a swing-lens panorama camera much like the one I used for the church image from a few weeks ago. It just uses a larger film format. The distortion and curvature in the image is a result of the changing distance of the foreground and middle view and that of the view to the edges. As the lens rotates, the distance to each element of the view is changing. The edges are further away than the middle, so therefore it looks closer. Our eyes correct for this but the camera lens cannot. And the distortion is made worse by me tilting the camera down to include all of the ice surface. So I’m really messing with with all the optical planes here. Oh well,..

So while there are many technical ‘problems” with this image, I still like it a lot. It tells a story of a time and place that is extremely important to me. And in that, it’s perfect…

Throwback Thursday

This is one of my favorite photographs, and also a great example of what you can capture when opportunity meets preparedness.

Kids at Play

This photo was taken in the Black Rock section of my hometown, Buffalo, NY. during one of my many walk about’s. Unfortunately, the business is no longer extant.

When I’m out on one of my photo walks, typically I will take a meter reading and set the camera aperture and shutter speed to my preference. Depending on how bright the day is, I’ll use either an f8 or f11 and set the shutter accordingly.

Then, I pre-focus the camera using the depth-of-field scale to as close as possible with infinity as the farthest distance. And off I go. This is my version of “Point and Shoot”. I still use this method with my film cameras today. Mostly because I’m still using them! Modern digital cameras with the auto everything’s require far less pre-planning. Not that there’s anything wrong with that…

When I look back at some of my older work, I often wonder what the place is like, where the people are and what they’re doing today. This photo was made sometime around the fall of 1978. That would mean the girls would be entering middle age. And that’s one of the greatest things about photography. In this photo, they’re kids forever…